Room: Conwill Hall
106
Section 7134: MW 6:30-7:45 p.m.
Instructor: Doug Catterall
Office: 634 South Shepler
Office
Hours: M & W, 10-11 a.m., 3-4:30 p.m.; F 10-11 a.m.; and by
appointment
work telephone: 581-2949
e-mail: dougc@cameron.edu
The ultimate purpose of this course is to guide each of you through
the
process of conducting research and writing a research paper, which is
an important way in which historians engage with their subject.
The approach of the course will be a step-by-step. That is we
will move methodically through the stages of research proposal, framing
of your problem, research, and writing so that you will be able
to produce a well-written and
well-researched, primary-source based essay.
The Nitty Gritty Stuff.
The course falls into two halves. In the first
half of the course we will pursue two different activities
simultaneously. On the one hand we will engage with the different
ways
in which historians approach history by discussing debates historians
have had on particular historical issues (historiography); the
techniques historians use to write and research; and some of the
guiding principles that drive their research. At the same time,
each of you will
seek out a topic that you find interesting, and primary and secondary
sources available either at the Cameron University Library or in one of
the
area repositories of documents (e.g. City Hall, Museum of the Great
Plains, Fort Sill Museum, etc.). Out
of these two activities will emerge the following pieces of work: a
research proposal, a book review, and a
historiographic essay. In the second
stage of the course you will focus on writing a
research paper, which must be properly documented, utilize significant
primary sources, and present original analyses and will involve a
drafting process. You will also present a brief summary of
your findings to your peers at the end of term. All of your work will
and must be done within one thematic area: the History of the
Body. And all research projects must address phenomena no more
recently than 1980 and none can use the methodologies of oral history
(i.e. no interviews) due to the legal and thus procedural complications
entailed when using human subjects in research.
Specific Objectives: This course will emphasize the following two skill-sets:
I. The Historian’s Skills
• You will show your ability to analyze and evaluate historical texts in the research project that is the culmination of your work in the course.
• You will practice evaluating conflicting interpretations of past events and issues in
seminar discussions and in your written work for the course.
• You will demonstrate effective verbal communication through participation in seminar discussions and by presenting the final results of a research project to seminar participants and others.
• You will demonstrate effective written communication by completing the substantial writing requirements laid out for the course as defined below in the syllabus.
• Graduates will demonstrate appropriate computer skills.
II. Historical Thinking and the Historian’s Craft
• You will demonstrate your capacity for historical research in shorter analytical pieces and in two longer essays as outlined below in the syllabus; through our discussions of different historical approaches and sources you will also gain exposure to a range of approaches to historical research.
• You will show your ability to organize the results of historical research in the research paper and other writing pieces required in the course.
• You will present the results of your research in one presentations outlined below.
• In our discussions of historical research you will gain further exposure to the specialized terms and concepts used by historians.
• Our discussions will focus generally on thinking historically with a consistent focus on changes and the cause of change, with the concomitant ability to recognize continuities even amid change.
Acknowledgments:
Creating a course like this is a more collaborative enterprise than
many. Therefore, I would like to give credit where credit is due
for the course design below. I have used ideas or gained valuable
insights from the following individuals in creating this course: Dr.
Lance Janda, Dr. Richard Voeltz, and my students from
the past several years in History 2133.
"Teaching is leading students into a situation from which they
can only
escape by thinking."
--Anonymous
Texts:
Required:
A Centre of Wonders: The Body in Early America, edited by Janet Moore Lindman and Michele Lise Tarter (Ithaca, NY: Cornell University Press, 2002).
Peter Stearns, Fat History: Bodies and Beauty in the Modern West (New York: NYU Press, 2002).
Recommended:
Kate L. Turabian, A Manual for Writers of Term Papers, Theses, and Dissertations, revised by Gregory G. Colomb and Joseph M. Williams (Chicago: Chicago University Press, 2007).
All of the above books are available for purchase at the CU Bookstore.
Also Useful: Richard Marius (and in some editions Melvin Page), A Short Guide to Writing About History (whichever edition you happen to have).
Requirements:
Participation (100 points)
Discussion (60 points): Everyone starts term with 6 points of discussion credit. In addition, you can receive up to 2 points for each regular class you attend for a total or 54 points. Your mark for each day, with the exception of week sixteen when only your presence will be required, will depend on your participation in discussion and other classroom activities.Research Presentation (60 points): Each of you will need to give a ten-minute presentation of the results of your work in week sixteen. Guidelines will be forthcoming at the appropriate time.
Credit for Participation: A perfect score in participation is 100 points, meaning that a mimium of 90 points are required for an A, at least 80 points for a B, a least 70 points for a C, and a minimum of 60 points for a D.
Papers and Other Formal Assignments (500 points):
Research Plan (75 points): Should be no 400-600 words in length and detail the sections of the research paper that you propose to write, the sources that you plan to use and their value and limitations, the secondary literature (broadly speaking) that you plan to engage with; and the so what question, i.e. why should one want to answer the question(s) you pose. In order to turn in a research plan it is also mandatory that you turn in a preliminary research topic description of 125 to 200 words in which you describe 1) the primary source(s) you think you'll be using and 2) the question(s) you might answer with these sources. It is also mandatory that you turn this in on time on pain of a 20-point deduction from your research paper (i.e. Senior Thesis) mark in addition to the 10% penalty on the assignment itself that will also be incurred and it is also mandatory that I approve of the topic.
Book Review (75 points): Must be 4-5, double-spaced pages in length, written in Times New Roman font with a 12-pt. pitch. In this review you must evaluate comparatively the essays in Comparison and History according to the standards I will set in the specific guidelines for the assignment. No late or short papers or drafts will be accepted without penalty.
Historiographic Essay (150 points): Must be 6 to 8, double-spaced pages in length written in Times New Roman font with a 12-pt. pitch. and engage with five different perspectives derived either from academic articles in peer-reviewed journals (see me if there is any doubt in your mind as to what an academic article is) or books all of which must be connected to your research topic. This paper should set you up to write the introduction to your research paper. Therefore you must choose a topic close to the focus of your research paper. Specific guidelines for this paper will be provided. No late or short papers or drafts will be accepted without penalty.
Research Paper (200 points): Must be 14-15 pages in length and engage with 20 different sources, 5 of which must be significant primary sources (with one at least 30-40 pages typed in length or equivalent) and the remainder secondary sources. A specific breakdown of the various sections of the paper will be provided and you are expected to adhere to it. You must receive approval from me for your paper topic and, if a subject specialist is available and willing to help, you must consult with him or her as you pursue the project. No paper topics covering a subject that is post-1980 will be accepted and no oral history projects will be permissible. The project must have a standard critical apparatus: that is footnotes (or endnotes) and a bibliography, for both of which you must use the style rules laid out in Kate Turabian's A Manual for Writers of Term Papers, Theses, and Dissertations. The research paper is worth one-third of the mark in the course. In addition, there is a mandatory drafting process for the research paper. Your paper will receive an automatic 20-point deduction for each draft submitted late and an equal deduction for each page a submitted draft is short of the required length for that draft. There will also be a 20-point reduction from the final mark for inadequate participation in the peer-review process.
Standard Guidelines for Written Work: All writing for this course should adhere to following general standards. All papers and work pieces should be typed, double-spaced and in Times New Roman font with 12-pt. pitch. Margins for all papers should be one inch all around. Finally, all papers should be written in clear, standard English with correct punctuation and grammar and should be appropriately footnoted. I recommend that you consult Kate Turabian's A Manual for Writers of Term Papers, Theses, and Dissertations for any questions on mechanics such as punctuation and grammar and for questions on documenting your work. Also please use a dictionary or a spell-checker! Nothing makes your work look worse than poor spelling. Due dates for the papers are listed below. General guidelines for the papers will be available by clicking the hypertext in this sentence. In those cases where they are necessary, you will be able to access specific guidelines for the writing assignments by looking for hyperlinks in the general descriptions of these assignments listed above. All written work for this course must be original and never have been turned in for credit in another course.
Course Component
Component Point Value Participation
100 Research Proposal
75
Book Review
75
Historiographic Paper
150
Research Paper
200
Total of All Categories 600
Classroom Environment:
Talking to
your classmates or others outside the context of classroom activities
is rude and will not be tolerated. Reading outside materials,
listening
to music, taking telephone calls on your cell-phone, and similar
non-class
related activities are equally unacceptable. I expect all
students
to be respectful of one another's right to speak and express opinions.
Disagreements and different viewpoints are welcome, but debates
should not involve insults. Finally, food and drink are permitted
in class as long as courtesy is observed; e.g. if you haven't quite
finished your cup of coffee, do
bring it along to class, but turning the classroom into a cafeteria is
not permissible.
Late Papers: The following policy applies to all papers written for this course. No late final drafts will be accepted. Late preliminary drafts and preliminary or final drafts of insufficient length will result in a deduction of 10% from the paper's final mark for each such infraction and will not be marked once the deadline for the submission of a subsequent draft has passed. There are two reasons for this policy. First, I want to treat everyone equally, since I believe that all of you ought to have an equal chance at success. Second, I do not want anyone to fall behind, because your success in this course depends on your keeping up with the work. While this policy is explicity stated for the research paper it also applies to the book review, the research plan, and the historiographic essay you will write.
Plagiarism: Plagiarism
is the
representation of the work of another as your own. In all of the
writing you do for
this course you must make clear to me which ideas in a paper are your
own and which come from someone else. This is especially important for
any formal essays you write. In such essays you must cite all primary
and secondary sources you use in accordance with the proper
conventions.
I will hand out a sheet explaining the basics of citation before any
formal
essays come due. If for some reason you do not receive a copy of
this
hand-out, know that you will not be exempt from following its
guidelines.
In cases of plagiarism, the Department of History and Government
at
CU follows the plagiarism policy in the current "Student Handbook," as
described
in sections 4.07 and 4.08 of the CU Code of Student Conduct.
Penalties
for plagiarism as defined by the Student Code of Conduct include:
1) The student may be required to perform additional academic work/project not required of other students in the course;
2) The student may be required to withdraw from the course with a grade of "W" or "F"; or
3) The student's grade in the course or on the examination or other academic work affected by the dishonesty may be reduced to any extent, including a reduction to failure.
Please heed this warning as I
am quite
serious about it.
| Date |
Topics and
Discussion Themes |
Readings, Assignments, and Activities |
| 1-14 |
Introduction; Identifying a
Topic |
|
| 1-16 | Beginning Research & Using Your Resources | Review Afterwards: Turabian, chapters on footnotes, bibliography, and documentation systems; bring at least five general questions from that review with you to the next session of class. |
| 1-21 |
Martin Luther King Day |
NO CLASS |
| 1-23 |
Beginning Research & Using
Your Resources |
Review Afterwards: Marius (if possible), A Short Guide to Writing About History), chapters on gathering information, taking notes and writing drafts, and, in recent editions, the chapter on electronic & web-based media (~chapters 4-6); bring at least five general questions from that review with you to the next session of class. |
| 1-28 |
Introduction to History of the Body; Introduction to the CU Library: Meet at the CU Library | Bring
In: At least one
question you want answered with regard to the CU Library. Read: Fat History, 3-24. Bibliography of Primary Sources at CU Library The Center for History and New Media (Main Site), a good place for general resources including freeware like Scribe The Center for History and New Media (WorldHistoryMatters), a good site for source interpretation techniques |
| 1-30 |
Body Image in the 19th- and early 20th-Century U.S. | Read: Fat History, 25-68. |
| 2-4 |
Body Image in the 20th-Century
U.S. |
Read: Fat History, 71-126. Turn In: Preliminary Paper Topic With a Source-Specific Focus |
| 2-6 |
Body Image in the 20th-Century
U.S. II; Identifying Your Sources: Meet
at the CU Library |
Read: Fat History, 127-149. Bring In: A source interpretation problem from your project for the class to consider. |
| 2-11 |
Body Image in France |
Read:
Fat History,
153-216. |
| 2-13 |
Read: Fat History, 217-260. Turn In: Research Plan; There will be a mandatory 20-point reduction from your Research Paper for not submitting this research plan. |
|
| 2-18 |
Introducing Historiography of
History of the Body 1; |
Read: Centre of
Wonders, 1-42. Turn In: Book Review Draft |
| 2-20 |
Introducing Historiography of
History of the Body 2: |
Read: A Centre of Wonders, 43-74. Pick Up: Book Review Draft |
| 2-25 |
Historiography, Part II Attendance Mandatory; a 20-point reduction from your Research Paper will be assessed for non-attendance. |
Read: A Centre of Wonders, 77-126. Take: Assessment Examination #1 |
| 2-27 |
Historiography, Part III; Common Infelicities in Writing; The Historiographic Essay. | Read: A Centre of Wonders, 129-190. Turn In: Critical Book Review (may be turned in through 2/29 at midnight for full credit) |
| 3-3 |
Historiography, Part IV; Bibiliography and Footnoting | Read: A Centre of Wonders, 193-254; Turabian, chapters on footnotes and bibliography; Review (if possible): Marius, A Short Guide to Writing About History, chapter documenting your sources. |
| 3-5 |
Source Problems; Meet at CU
Library |
Turn In: Draft of Historiographic Essay (may be turned in through 3/7 at midnight for full credit) |
| 3-10 |
In-Class Peer Critique of
Historiographic Essay |
Pick
Up:Draft of Historiographic Essay |
| 3-12 |
The Research Process in Midstream | Bring In: A specific research issue from your project to discuss |
| 3-17 |
No Class This Week, Spring Break. Have a Great Break!!! | |
| 3-19 |
No Class This Week, Spring Break. Have a Great Break!!! | |
| 3-24 |
The Peer Review Process Explained | |
| 3-26 |
In-Class Peer Review Day | Turn In: Research Paper Draft, must be 11-12 pages in length, to Peer Reviewer; there will be a mandatory 20-point reduction from the final score of your research paper for each page you are short of the minimum 11 full pages as per the policy above. |
| 3-31 |
Individual Conferences with the Instructor on First Draft |
Turn In: Final Draft of Historiographic Essay (may
also be turned in on April 4 for full credit) |
| 4-2 |
Individual Conferences with the Instructor on First Draft | |
| 4-7 |
Source Problems; Meet at CU Library | |
| 4-9 |
Source Problems; Meet at CU Library | Turn In: Full-Length Draft of Research Paper |
| 4-14 | Final Checklist | Strategies for Polishing Your
Senior Thesis. |
| 4-16 |
Footnote & Bibliography Nuances | |
| 4-21 |
Individual Conferences with the Instructor on First Draft | Pick Up: Commented
Full-Length Draft of Paper. |
| 4-23 |
Attendance Mandatory; a 20-point reduction from your Research Paper will be assessed for non-attendance. | Take: Assessment Examination #2 |
| 4-28 |
No Class Held | Writing Day |
| 4-30 |
No Class Held |
Writing Day |
| 5-5 |
Preparing for the Final Presentations |
|
| 5-7 |
Final Presentations |
Turn In: Final Draft of Research Paper with all commented drafts Attached at 5 p.m.; n.b. Submissions lacking one of the commented drafts will not be accepted. |