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THE
OKLAHOMA
REVIEW
Volume 8 | Issue 2 | Fall 2007 |
Poetry |
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Alveraz Ricardez horseback on a clay trail in jalisco i find two vanilla cream scorpions one on it's back and one in tears i ask the sad scorpion if he knows the way back to colima his sun cracked voice whispers between spittled sand 'save me from being without my isabella'
his eyes roll back and his arms lift with the rise of my boot
i scoop the dead lovers into my palm and bury them on the side of the clay trail in jalisco
Dear Helen, There is a little native boy outside my
hut window.
If I move more than two fingers around this pencil he will hear me and
alert
the tribesman. Last night I was able to bribe him with a piece of carob
left
over from the care package you sent. He allowed me to pace my room. He reminds me of our son. He has your spindly body, Helen. His caramel skin ashes like yours in the heat. I never understood how your body dried like a saladito. Remember when I begged you to sweat? Anyway, he reminds me of When I woke this morning my gut burned. I think it may be malaria, but I'm not sure. It comes in waves now. It must be ten degrees in here. I can see my breath over the words but this parchment is soaked in salt, so I know my body is broken. Tell I can hear his eyes, Helen, the little
native boy. I
can hear him sniff at my movements. He has a broken foot, a fishing
accident.
He drags it when he walks, so I hear him shuffle, drag, shuffle, drag,
all
around the god damn perimeter. I think about killing him sometimes. One
of my hands
could fit around his entire neck, Helen. I could be swift about it.
Maybe when
this full moon breaks and the crickets realize there is no audience for
their
orchestra. I don't know. It was just a thought. I will write again in the morning. William |
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The views expressed in The Oklahoma Review do not necessarily correspond to those of Cameron University, and the university's support of this magazine should not be seen as an endorsement of any philosophy other than faith in -- and support of -- free expression. The content of this publication may not be reproduced without the written consent of The Oklahoma Review or the authors. © 2007 The Oklahoma Review |