New
York band has unusual image
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by Jessica Lane:
Newswriting
Student
The
musical group, Rasputina, performed a concert
August 7 at Bricktown Live in Oklahoma City to
promote their album, Frustration Plantation, which
was released last March.
It
was a small venue with an audience capacity of
200. Cameras were allowed, an advantage not granted
by most money-hungry performers. Tickets were
also exceptionally priced at $14.75 each. The
atmosphere was friendly and consisted of dedicated
fans. After all, it isn’t often the group
from New York can make it to Oklahoma. After the
concert, Melora Creager, vocalist, songwriter,
cello player and creator of Rasputina, said that
it is difficult for them to make it down here,
but that they make an effort to do so.
Rasputina
certainly put an effort into their performance,
playing several songs from each of their four,
full-length albums: Thanks for the Ether, How
We Quit the Forest, Cabin Fever and Frustration
Plantation. They also played several covers, including
Led Zeppelin’s “Rock and Roll,”
Heart’s “Barracuda,” and others.
For
those unfamiliar with Rasputina’s music,
they are described on their Web page as “cello-rock.”
However, their distinctive sound is difficult
to narrow down to such a short description. They
could be called alternative chamber music. That
is, they are classically trained musicians who
play music that might be recognized as alternative
rock.
Rasputina
consists of Melora Creager, Zoe Keating (cello,
vocals), and Jonathon TeBeest (drums). Despite
the fact that there were only three people playing,
it sounded as though there were many more because
they are talented musicians who have mastered
resonance. Their musical performance was spontaneous,
yet intricate. It seems that they work together
well and that they enjoy what they do.
For
those who like a band with an unusual image, Rasputina
does not disappoint. Creager and Keating were
dressed somewhat like rogue Victorian dolls in
corsets. Their clothes looked antique and may
very well have been. Creager wore an interesting
arrangement of flowers and feathers in her hair,
which made her look a bit nomadic. Keating’s
outfit leaned more toward looking like a half
dressed woman from the 1800s, which is actually
quite a bit of material. This would include a
full-length slip and corset. TeBeest opted for
suspenders with a cloud-print shirt, bare feet
and a top hat.
Creager’s
lyrics are also unique. The themes for the songs
range from historical events to fantasy, and often
combine the two. Animals are also a frequent topic,
as in their song, “Hunter’s Kiss,”
which Creager introduced by saying that it was
a protest against animal rights. The lyrics, however,
emphasize a hunted deer. This kind of contradiction
and play on words is just a sample of her style.
Although
Bricktown Live has a small audience capacity,
it was not full. But, like professionals, Rasputina
played as if for thousands. When begged for an
encore after they first left the stage, they returned
and, not only played, but took requests as well.
Their thoughtfulness extended even to after they
had finished. Creager and Keating stayed to sign
autographs and to let fans take pictures with
them. They were very patient and welcoming to
each fan and rushed no one.
For
those who are interested, information about the
band, such as biographies, tour dates, news pictures
and samples of their music, can be found on their
official Web site, www.rasputina.com. A better
variety of music samples can be found on Instinct
Records’ official Web site, www.instinctrecords.com.
The four square icons on the first page of the
Web site are too small to read the text, but clicking
on the picture will enable the listener to hear
Rasputina.
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